Cow Tongue Taco Records

Banging on about ‘analogue’ is something that I always try and avoid. It seems pretty redundant, and too easily dismissed as hipster pish. Digital is great, but the thing is, the more I think about it, the more I end up drawn to the analogue world: film cameras, vinyl, old synths…

With that in mind, a while ago I decided to do a limited edition run of drouth on cassette. Despite all the memories of tapes getting fankled up and having to fix them with a ballpoint pen, there’s something pretty cool about them. They suit lofi music pretty well, have more personality than CD, and are far more accessible than vinyl financially.

As everything seems to end up doing lately, this minor project grew arms and legs, and has been pretty good fun to put together. I’ve set up my own tape-based label to put the release out on, named ‘Cow Tongue Taco Records’

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Thanks to Lee for the awesome logo.

For now the label will just be for releasing my own limited edition tape runs, but will eventually bring on some other artists who would be sympatico.

All the music that gets released on the tape label will be available at http://music.cowtonguetaco.com (Bandcamp), and the shop at http://cowtonguetaco.com.

If you happen to be in a band/make music yourself and would be interested in a limited edition cassette release, get in touch and we can see what we can come up with: stephen@cowtonguetaco.com

mexxed again

When I was recording drouth, there were a bunch of tracks that I wish had vocals, but that I couldn’t quite come up with something on my own. In the end, it worked out for the album that they remained largely instrumental… but I thought it would be cool to get some different folks to do their own take on vocals.

As part of that, musician pal Christy Scott lent me her voice for a couple of tracks. Ultimately, the idea is to release all of them as a collection. For now though, here’s a new version of ‘mex’, with Christy on vocals. I think it sounds pretty great…

You can download it here. (right click > save as).

making stuff

I’ve not posted much recently, but I’ve been busy making stuff in the background.

My pal Lee left a bunch of his pedals with me to try out, and in amongst them was a kit to build an octave-up fuzz. I decided to put it together (and discovered how handy a multi-meter is at the same time).

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When I realised how straight forward it is, I decided to have a bash at building my own signal splitter pedal as well, to take one input and give three separate outputs at the same volume.

I didn’t want to just leave the enclosures bare aluminium, so started to look into ways of painting them. After reading endless advice online, I decided to just get some spray paint suitable for metal, and use a varnish over the top. I didn’t bother sanding the cases down, as many people suggest – so we will see how they last longer term.

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Lee had a good name in mind for the octave-up fuzz… which I scrawled onto the enclosure with an acrylic paint pen before putting the varnish top-coat down.

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As well as the pedals, I decided to release a really limited run of my last album drouth on cassette tape – hand spraying each of the cases myself. Doing something so hands-on was really enjoyable… but there’s still a ton that I need to do before they will be ready. Like uh, buying a tape player. Ahem.

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I’ve still to get the circuit together for the Smack Ma Pitch Up fuzz, but I got the line splitter pedal finished… and learned a fair bit along the way. The included LED wasn’t all that bright, so I stuck in an extra, high powered one – which I can’t show in the pictures as it is brighter than the sun.

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The pre-drilled enclosures I’ve been getting save some hassle, but they are a pain to get a hold of in the UK, and the LED hole in the line splitter was way too big. So, I decided to get a drill press to do my own.

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Hopefully this will mean I won’t drill off my hands in future when modifying Game Boys either. Not too bad for fifteen quid.

I’ve got a bunch of plans to make some of my own DIY electronic instruments and effects pedals in the future, so even though getting all the stuff together has been a wee bit of an investment, it should be worth it in the long run.

Because of all this stuff, I haven’t had too much time to sit down and make music over the past week or so, but I’m going to do so this weekend. I have a noise album that needs completed…

Alternative Volca MIDI Out Mod

Lately I’ve been experimenting with a different way of recording tracks, which is more ‘live’ than drouth was. It relies on having lots of different instruments going together at the same time, and so synching them up properly is pretty important.

I’d run into a problem lately where I didn’t have any way to synch up my Game Boy or other MIDI synth if they came at the end of the chain. The Korg Volcas have MIDI input, but not MIDI output, which is annoying. I knew there was a kit available to modify them to have MIDI output, but it was pretty expensive. After a bit of Googling, I realised that the mod wasn’t all that difficult to do at all, so I decided to have a bash.

Note: This isn’t meant to be a complete step-by-step tutorial on how to do the MIDI out mod. There are lots of sites out there that do a great job of explaining that. This is meant to explain an alternative method of implementing those. Links are in the post.

The best looking one involves adding in an additional DIN connector onto the top of the Volca, which you can find details on over here. I really didn’t fancy taking all of the knobs off and potentially screwing up my synth by drilling the hole wrong though, so hunted about for alternatives.

A few people had inserted a 3.5mm minijack port out, which can be used to transmit MIDI signals. In particular, there was one mod where you simply connected the MIDI out pads to the Volca’s existing minijack sync out port. That seemed like a great option, and I went ahead to do it:

After doing it, I discovered that this wasn’t really ideal. It may well have allowed you MIDI out, but it meant that the Korg sync out no longer worked. That wasn’t really ideal for what I was looking for. Back to the drawing board… I decided to add in an an additional minijack socket to transmit MIDI, and keep the rest of the Volca’s functionality intact. There was a decent tutorial on this here, and I had some experience of this kind of thing from all my Game Boy mods, so it seemed perfect.

Sadly… this too was not perfect. I had a minijack to DIN cable that supposedly transmitted MIDI, but it turned out that for this option to work you really needed to mock up a custom cable. I was too impatient for that, and given that I knew my track record of losing cables, being tied into a single cable for MIDI output seemed to be a bad idea. Hmm.

To check that the circuit actually worked first, I dug out a panel mount DIN socket and wired it up. It did, perfectly. That left me with the problem of where to put the damn thing. There is literally no space in the Volca series for an extra huge jack, unless you were prepared to drill the top plate… and like I mentioned earlier that wasn’t on the menu.

Taking inspiration from the first pioneering Game Boy modders, I decided to drill a small hole in the Volca’s case, wrap the wires in heatshrink tubing to bind them together, and then connect them up to a female DIN connector that would sit outside the Volca – minimising the need for case modification.

Here is what the wires looked like before being hot glued into place:

And here is the final product, with the Volcas happily dancing together via MIDI out:

So there you have it, an alternative to obtaining MIDI out from your Volca without having to resort to defacing the case too much. This is a stupidly easy mod to do electronically; it’s just the case modification that’s a bit of a pain.

For the technically curious, I used stranded wire for the individual connections (for flexibility), and got the female MIDI connector from eBay somewhere. My version could definitely have done with being tidied up a bit, but it does the job. I may do the same thing to the Volca Sample at some point, as it’s exactly the same – just with the solder points positioned slightly differently.

‘drouth’ up on Spotify

Just saw that the latest album drouth has been approved for Spotify, so those of you fiends who don’t like Bandcamp can stream it to your heart’s content. It makes no difference to me where you get it!

 

The really something EP was already on there, but the oldie habeas corpus was not. I gave them a prod, and that’s available now too. It’s worth noting that the Spotify version is slightly different to the actual album version, as their licensing requirements precluded me from including a couple of bits in the distribution… so if you want the full, unadulterated thing, find it on Bandcamp.

 

Magnificent Bastard – Smile, You Fuck Remix

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My pal Lee has a new band, called Magnificent Bastard. They’ve just put our their first single – ‘Smile, You Fuck’ to stream on Bandcamp and the like.

I convinced him to let me have a bash at destroying his hard work, and he stupidly agreed. So here it is, remixed:

All of the sounds are taken from the original recording, with the exception of the Game Boy – which definitely was not.

New Album: ‘drouth’ released today.

Today I’m releasing my first album since 2012, and the first one that’s mainly chiptune based since 2011: ‘drouth’.

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The album is entirely composed on LSDJ using a bunch of different modified Gameboys, which were then in turn to control different instruments like a Commodore 64, Volca Bass, etc that play additional parts to give a much deeper sound. Along with a smattering of guitar and vocals, it’s much more an experimental (sometimes ambient) electronic album than a chiptune focussed one.

Unlike previous occasions, I’ve spent a lot more time putting the pieces together for this, even re-mastering the entire thing a few days ago when I realised that the original left the Gameboy sounding a little bit too harsh.

You can download it in full, for whatever price you choose, over at bandcamp – or stream at the bottom of the page.

Tracklist is as follows:

  1. obsolete by design
  2. mex
  3. flight risk
  4. bottle neck
  5. lazarus pit
  6. hang the joker
  7. Mr. K
  8. slinging dinghies
  9. wealth sprouts wings
  10. dinghy it
  11. tip of the spear
  12. playing the fool
  13. dilettante
  14. Koba

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A week of spinning plates

It’s been an interesting week musically, with a whole host of different plates successfully kept spinning. There were a few occasions where they almost came crashing down, but not quite.

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First off, the BBC came round to record a short interview about the music, which is pretty cool. It should be up sometime soon, so watch this space. It had to be the time where my LSDJx2 refused to synch properly of course. Sod’s law.

Next up, I launched the noisepedals.com site to look at different effects boxes and electronic instruments – which means I get to record and experiment with sounds that I’d not normally have had a chance to.

Then, on Sunday I headed into the studio with the newly re-born Closet Organ – a grunge band that was formed with some pals way back in High School; this time with Lee on board as second guitar which gives it an interesting new dynamic. After initially forgetting my laptop (eugh), we got three tracks done in five hours. Not bad at all. Looking forward to getting a whole bunch more done in the next few months.

Coming back to unexpected bowtie, the final tracks of the new album are coming together, so it shouldn’t be too long before I’m able to release it. It’s still missing something though. It’ll be a bit quieter over the next few days as non-music life takes over, but it feels good to be busy again.

NoisePedals.com

One of the things that’s always driven me to play about with different gear is a craving to find new and interesting sounds. It’s what led me to the whole chipmusic world in the first place, and continues to develop in different ways.

Over the past few months I’ve begun to really appreciate the huge range of weird and wonderful effects pedals that have been released by boutique manufacturers. It’s become a bit of an obsession actually. The problem when buying things like this is that you can’t really fire down to a shop down the road to plug in your Gameboy and see what a pedal will or won’t sound like – and almost all of the demos online are primarily focused on playing warbly guitar riffs. Nae use to somebody who wants to process LSDJ’s noise channel!

That has spurred me to set up my own pedal demo site, where I’ll feature some of the more unusual pedals that cross my path – and do so using the sort of instruments that I actually use to make music with: Gameboys, synths, keyboards, drum machines, Commodore 64s… etc. No fiddly guitar riffs here.

The first post has just gone up, and takes a look at the MWFX Judder pedal. This beast:

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Take a gander:

http://noisepedals.com/2016/03/17/mwfx-judder-pedal-review/