drouth (reprise)

drouth purpleroutenote

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Writing vocals for electronic tracks is a totally different ball game to other kinds of music, and can be particularly daunting if you come from a more traditional style of songwriting. Because of that, back when I was writing drouth, I found myself hitting a wall fairly frequently, and I wondered what it would be like to ask some other artists I know to give their own take on the tracks if they had free reign to do whatever they wanted to them vocally.

I pulled together a few talented folk who were up for giving it a bash, and despite some initial protests (‘wtf am I going to do with this!?’), they have re-imagined the tracks in some amazing ways… to the extent that the new versions are even better than the originals.

Here’s a bit more info on who is on there…

Andrew Howie

Andrew Howie is a Scottish singer-songwriter with an incredible voice who has been making music on a whole variety of different instruments for as long as I can remember. For this release, he turned his hand to ‘bottle neck’, which resulted in the seriously cool ‘bottle neck heart attack’. You’d think he had been doing this electronic stuff all along.

You can find more from Andrew on his bandcamp.

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Christy Scott is an old young friend and tcheuchter upstart from the true North-East of Scotland. Usually found foraging in the more traditional music world, she brought some impressive soul to new versions of both ‘mex’ and ‘bottle neck’.

Follow along with her inevitable successes on her Facebook page.

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Carly Stambaugh is a fellow Automattician, from across the pond in San Francisco. She wants to be Cyndi Lauper when she grows up, and lended her vocal stylings to a new take on ‘obsolete by design’. Photo credit: Marcus Kazmierczak

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Pulco aka Ash Cooke is a Welsh madman who lives in the middle of nowhere, and a long term collaborator and friend. He is one of the most prolific musicians I know, with a huge back catalogue up on Bandcamp – well worth checking out. He brought his unique brand of spoken word beauty to two tracks: ‘wealth sprouts wings’, and ‘Mr. K’.

As for the music itself, you can download it for free over on Bandcamp, stream it below, or check out Spotify in a couple of weeks when it appears. If you like any of the tracks in particular, give the folk above a shout. I know they’d appreciate the support, and they definitely deserve it!

Do doo do do

David Cameron delivers a Press Statement outside No 10, Downing Street to inform of his EU deal made in Brussels last night.

After David Cameron announced that he was stepping aside to let that creature Theresa May into the position of completely unelected Prime Minister, he was caught ‘humming’ a wee ditty as he walked back into Number 10. Definitely a man who has checked out.

I quite liked the sound of it, so gave it a remix below:

See ya Davey. It’s been real.

(For another remix, check out this one from Graeme Coleman – complete with accompanying video)

Image ‘David Cameron delivers EU statement outside Downing Street‘ by Number 10 used under CC license.

cup fungus – defame the dead

defame the dead

defame the dead

Following on from the release of drouth, I found a new project quickly formed and gathered steam. Rather than use Game Boys to compose, I started exploring different electronic instruments. The result was a much more unpredictable, experimental, and far noisier sound than I’ve had before. That shift meant that it didn’t quite feel like an unexpected bowtie album, and so I’ve chosen to release it under a different name: ‘cup fungus’.

Today is the official release date where it crashes angrily into the world.

You can download the album for free on Bandcamp, or stream it via Spotify as of right now (search ‘cup fungus’). If you are interested in something a bit more physical, there are also an extremely limited number (only five!) of hand painted cassette tapes available from my label – cow tongue taco records.

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Retrograde: New Adventures in Chiptune

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One of my tracks from the ‘really something’ EP, released in January of this year is featured on a new compilation from ‘I Thought You Were a Marxist Records’, named ‘Retrograde: New Adventures in Chiptune’.

The label has got a whole pile of artists that make some really interesting, weird experimental music, so I’m pretty pleased to be included in amongst them. Have a listen for free over on their Bandcamp, or below:

New Track: MTL

Over the past couple of months I’ve been acquiring different bits of gear in a sort of obsessive kleptomaniac fashion to build upon the basic foundations of chiptune, and explore the different things I can do with it. As part of that, I’ve gotten a bunch of cool (and definitely not cheap) hardware sequencers… but I find myself constantly coming back to the Game Boy.

Musicians in the chiptune world often talk about the limitations of the console as one of the things that inspires them. For me, it’s probably the opposite: I am amazed at just how powerful these old handhelds can be, controlling all sorts of different gear. Primarily though, I just love composing on LSDJ.

The natural progression from drouth feels like it lies in an album that still has its roots firmly in the chipmusic world (composed entirely on a Game Boy – with the DMG sounds in the mix) – but with a deeper electronic influence, with the handheld sequencing other synthesisers to a greater degree.

Game Boy on Plane

I visited Montreal recently, and composed a track on the plane rather than watching the same old terrible TV re-runs that were available (another plus for the Game Boy there in its portability…). When I got back to Glasgow, I put it all together and recorded it. Have a listen below:

 

Cow Tongue Taco Records

Banging on about ‘analogue’ is something that I always try and avoid. It seems pretty redundant, and too easily dismissed as hipster pish. Digital is great, but the thing is, the more I think about it, the more I end up drawn to the analogue world: film cameras, vinyl, old synths…

With that in mind, a while ago I decided to do a limited edition run of drouth on cassette. Despite all the memories of tapes getting fankled up and having to fix them with a ballpoint pen, there’s something pretty cool about them. They suit lofi music pretty well, have more personality than CD, and are far more accessible than vinyl financially.

As everything seems to end up doing lately, this minor project grew arms and legs, and has been pretty good fun to put together. I’ve set up my own tape-based label to put the release out on, named ‘Cow Tongue Taco Records’

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Thanks to Lee for the awesome logo.

For now the label will just be for releasing my own limited edition tape runs, but will eventually bring on some other artists who would be sympatico.

All the music that gets released on the tape label will be available at http://music.cowtonguetaco.com (Bandcamp), and the shop at http://cowtonguetaco.com.

If you happen to be in a band/make music yourself and would be interested in a limited edition cassette release, get in touch and we can see what we can come up with: stephen@cowtonguetaco.com

mexxed again

When I was recording drouth, there were a bunch of tracks that I wish had vocals, but that I couldn’t quite come up with something on my own. In the end, it worked out for the album that they remained largely instrumental… but I thought it would be cool to get some different folks to do their own take on vocals.

As part of that, musician pal Christy Scott lent me her voice for a couple of tracks. Ultimately, the idea is to release all of them as a collection. For now though, here’s a new version of ‘mex’, with Christy on vocals. I think it sounds pretty great…

You can download it here. (right click > save as).