free music

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the economic benefits of individual contraction

So far there haven’t been too many elongated track titles on this collaborative jaunt, so the time is right; the time is now.

Delay Trees are a ‘dream-pop’ foursome from Helsinki, Finland. They have all the delicate nature and sing-songy delight of the rather good Iain Archer, and they provide the ambient background to the latest track. There’s an interesting mix of Gameboys, mandolin and other effects to be found. Drums come courtesy of Keith Grantham, who’s already been introduced.

You can find more of Delay Trees at their Soundcloud.

the economic benefits of individual contraction by unexpectedbowtie

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Collaboration Preview – Track 3 – ‘marks for effort’

with Burning Buildings

This track is a much softer, less grizzly track than the last one that involved Pulco. It comes with a piano melody courtesy of Manchester’s Burning Buildings. They’re awfully nice chaps, and probably slightly unhinged… but the end product is one that I’m really personally pleased with. Sometimes there are melodies that just fit your vocal-style to a tee, and for me this is one of them. Hopefully you might like it too.

You can find some of their tracks for free over at Bandcamp, tweets on Twitter, and a review over at Artrocker.

marks for effort by unexpectedbowtie

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It was only a week or two ago that we posted introducing Ash Cooke aka Pulco, with the news that he’d be contributing some specially recorded samples to be mashed up (i.e. destroyed) in the name of art… and contribute he did, with a whole stash of bizarre loops and rumblings. In true Pulco style, the ‘misery poet’ utilised everyday objects like a wheelbarrow, and chucked rocks at it till it became aurally pleasing.

You can preview the product below; it’s a dark, grungey affair.

For more info on Pulco, check out the interview from Artrocker that went online today.

pre-medication by unexpectedbowtie

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This is an exciting moment, as we get to release the first track from the tentatively titled ‘unexpected bowtie and friends’ collaborative album.

So this is how it’s going to work: to make the most of each track, every so often one will be put online for streaming with a bit of explanation of who’s involved, with the final collection being brought together as a full release later on in the year.

Pictured is Steven Marino, aka Moor Hound. He comes from sunny Orlando, Florida, and plays music after our heart. You can see the banjo, so need I say more?

Moor Hound contributed some wonderfully laid-back guitar parts, and one of them is used on this track. You can read more about him in an interview on Artrocker, find his blog here, Bandcamp here, and Soundcloud tracks here.

Keith needs no introduction really. He’s been making music alongside me almost since I started, and he lent me his percussive hands for a few hours to give this track the structure it badly needed and that I just couldn’t provide. The Keith Appreciation Society page is on Facebook here, and Closet Organ (in which I also sing and play guitar) can be found on Tumblr.

The track is called let’s crash planes when we’re leaving, and is below.

let’s crash planes when we’re leaving by unexpectedbowtie

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As weird as it seems to be announcing the release of one record whilst having worked on a totally different one for the past few weeks, that’s the way it goes in the life-cycle of things.

This is an awesome split EP of the 8-bit inspired chiptune electronic variety, with The Wet Dreams taking the first half of the record; myself the second. We took a basic melody for one of the tracks, and wrote our own versions (tracks 3 and 4) which made it all the more interesting.

Click through to the music page for the relevant links and all that.

For those of you not so enamoured with the chiptune side of things, watch this space – there’s other creations in the works.

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At what point do you take a collection of songs that are independent of each other, written over months and changes in preference, and meld them into some sort of coherent ‘album’ form?

Or do you have to bother?

Regardless, it’s now a new year, and here’s a song that was technically all recorded in 2010, but for argument’s sake, since it was finished today, it counts as the first of 2011.

[we] don’t envy those who travel [light]

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In a wonderful development, the gloriously helpful lady at the Subway depot called me up to say that my keys had been found.

Almost as good as that itself was the wonderful symbolism in the fact that they were handed in in Govan.

To celebrate this, I finished off a track with a long name.. (as well as a Jack Daniels or two)

‘be suspicious of well written lines (they’re the ones they’ve practised)’

is listed up above, along with the others.

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It has been a day of difficulty, but not for the reasons I first envisaged this morning.

Instead of the possible social awkwardness that may have unfolded, (and how I wish it had!) I was instead granted the scenario of losing my keys on public transport.

Well, I assume it was on public transport.

Who knows.

Maybe some nice person will hand them in and I won’t need to fork out some ridiculous amount to some car sales-people.. or I could always learn to hot wire?

The best way to deal with such situations is to have a chippy, a large glass of single malt, and throw a ton of instruments into the one song.

’emanations of the state’