It’s been a while since I got pished on a Saturday night and just recorded some music. Well, I ended up recording after an hour of fighting with my mixer to work out why the stereo output was only producing mono…
There’s always the risk that it could have been my crappy soldering, which meant testing out every possible step. So many variables. Surprisingly, it wasn’t actually any of the Gameboys, but the mixer.
I’m pretty pleased with the result, and it should give a hint as to what the next album will sound like. Listen to and download it below:
To finish off, here’s a picture of my tidied up workspace.
On Friday I spent some time in the studio working on different tracks. One of them was an experimental cover of ‘Somewhere Over the Rainbow’ with my sister and her boyfriend singing and playing guitar. They studied music at University, and it was nice to record with people who knew what they were doing.
We used a bunch of different effects to layer the sound up, and I added in chip drums later on.
You can hear and download the track below. It’s ‘Somewhere Over the Rainbow’ like you’ve never heard it before. In someone else’s words:
I could imagine it being played at a f**** up fun fare with porcelain dolls singing as they go round in a Ferris wheel.
Here’s a wee quickie b-side of a track for a new Monday, and a new week.
You can download this one right away too.
no more villagers
Here’s a spaced out new track which is made up primarily from bits sent through courtesy of Calamateur (pictured below), as well as some completely mashed up guitar from Reading’s Yer Beauties (pictured above), and some crazy distortion donated by Lee from Everyone an Army (not pictured).
I don’t do covers very often. Infact, it’s probably one of the main reasons why my guitar playing is nowhere near as good as it should be given the length of time I’ve actually been doing it. Reproducing other people’s songs just isn’t something that comes naturally.
Anyway, sometimes these things just happen.
Back in another life and another band I shared a stage with these chaps, and it struck a chord tonight for a whole set of reasons, and I thought I’d have a bash.
Check out my massacre of ‘Moving to New York’ by the Wombats below.
moving to ny by unexpectedbowtie
this is all we’re offering
Pulco’s back for the newest collaborative track with his barrage of sketchbook samples… with a much softer feel to the last. Lee from Everyone an Army also played some of the guitar swooshes featured, but there’s more to come from him, so we’ll hold off introductions for now…
this is all we’re offering by unexpectedbowtie
the economic benefits of individual contraction
So far there haven’t been too many elongated track titles on this collaborative jaunt, so the time is right; the time is now.
Delay Trees are a ‘dream-pop’ foursome from Helsinki, Finland. They have all the delicate nature and sing-songy delight of the rather good Iain Archer, and they provide the ambient background to the latest track. There’s an interesting mix of Gameboys, mandolin and other effects to be found. Drums come courtesy of Keith Grantham, who’s already been introduced.
You can find more of Delay Trees at their Soundcloud.
the economic benefits of individual contraction by unexpectedbowtie
Collaboration Preview – Track 3 – ‘marks for effort’
with Burning Buildings
This track is a much softer, less grizzly track than the last one that involved Pulco. It comes with a piano melody courtesy of Manchester’s Burning Buildings. They’re awfully nice chaps, and probably slightly unhinged… but the end product is one that I’m really personally pleased with. Sometimes there are melodies that just fit your vocal-style to a tee, and for me this is one of them. Hopefully you might like it too.
You can find some of their tracks for free over at Bandcamp, tweets on Twitter, and a review over at Artrocker.
marks for effort by unexpectedbowtie
It was only a week or two ago that we posted introducing Ash Cooke aka Pulco, with the news that he’d be contributing some specially recorded samples to be mashed up (i.e. destroyed) in the name of art… and contribute he did, with a whole stash of bizarre loops and rumblings. In true Pulco style, the ‘misery poet’ utilised everyday objects like a wheelbarrow, and chucked rocks at it till it became aurally pleasing.
You can preview the product below; it’s a dark, grungey affair.
For more info on Pulco, check out the interview from Artrocker that went online today.
pre-medication by unexpectedbowtie
This is an exciting moment, as we get to release the first track from the tentatively titled ‘unexpected bowtie and friends’ collaborative album.
So this is how it’s going to work: to make the most of each track, every so often one will be put online for streaming with a bit of explanation of who’s involved, with the final collection being brought together as a full release later on in the year.
Pictured is Steven Marino, aka Moor Hound. He comes from sunny Orlando, Florida, and plays music after our heart. You can see the banjo, so need I say more?
Moor Hound contributed some wonderfully laid-back guitar parts, and one of them is used on this track. You can read more about him in an interview on Artrocker, find his blog here, Bandcamp here, and Soundcloud tracks here.
Keith needs no introduction really. He’s been making music alongside me almost since I started, and he lent me his percussive hands for a few hours to give this track the structure it badly needed and that I just couldn’t provide. The Keith Appreciation Society page is on Facebook here, and Closet Organ (in which I also sing and play guitar) can be found on Tumblr.
The track is called let’s crash planes when we’re leaving, and is below.
let’s crash planes when we’re leaving by unexpectedbowtie