New album: liberal exodus LP

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Today I’m releasing my sixth full-length album as unexpected bowtie, a ten track LP named ‘liberal exodus’.

Composed entirely using a single DMG, I deliberately stuck closer to the LSDJ heart of the tracks than in previous releases – only adding extra instrumentation to complement the core sound. As a result, liberal exodus feels like a more straight-forward and mature electronic album than 2016’s TOKYO.

You can listen to/download the album over on Bandcamp. If you prefer to stream via Spotify, it should be appearing there within the next week or so.

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There is also a very limited set of just five hand painted cassette tapes available via my Cow Tongue Taco Records label. At £2.50 more than the digital download, I think they’re a pretty decent deal, so head over there if you want to grab one before they are gone forever.

Artwork by the wonderful Sanditio Bayu.

Gleeetch, London – 26th May 2017

This weekend passed, I headed down to London with my faithful hype man Lee Jones to perform at one of the infamous Gleeetch chipmusic nights. For a look into how things went, check out this short video:

The event itself was held in the middle of an industrial estate in Canning Town… way out East for those of you not intimately familiar with the geography of London. Nestled in amongst various stripped cars and piles of scrap metal was a dodgy looking pub, set on top of an old garage. When we first arrived, I was pretty sure we were going to end up stabbed.

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As it turned out though, it was an awesome place for an underground gig. Pretty soon, the place began to fill up, and were spilling out into the street with booze, listening to the chipbeats seeping out from the building.

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This is Olya, who made the whole thing happen, and who deserves a shit-load of credit for wrangling everything with such determination.

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There were some awesome other artists performing, coming from as far away as France and Denmark. It was great to meet people in person that I’ve only ever heard of through the online chip community.

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The lights and decorations were particularly awesome.

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I love how friendly and ‘into it’ the crowd at chip shows are, and how those that come to these gigs and know nothing about the whole scene turn up looking dubious and bemused, and leave having had an awesome time, even if they aren’t quite sure what the hell was going on. Will definitely have to try and get some more things on the go north of the border.

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To round things off, here’s a full live version of a new track: ‘fog of war’:

There’s also a medley of different tunes up on YouTube here.

 

Osaka Gig and New Track

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I’m going to be in Japan in the next couple of weeks, and have confirmed my first live outing as unexpected bowtie, at Space Station in Osaka, which is apparently in the ‘Top 30 Recommended Sights of Japan as Chosen by Foreign Visitors‘. The set will be stripped down to a single Game Boy only, given that we are travelling, so should be something a little different. If you happen to be in the area, it’d be awesome to see you there!

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To mark the occasion, I’ve written a new track that’s up now on Soundcloud. Composition wise, it’s just a single Game Boy, with a tiny little added bit of Commodore 64, and extra drums. Enjoy!

New Track: MTL

Over the past couple of months I’ve been acquiring different bits of gear in a sort of obsessive kleptomaniac fashion to build upon the basic foundations of chiptune, and explore the different things I can do with it. As part of that, I’ve gotten a bunch of cool (and definitely not cheap) hardware sequencers… but I find myself constantly coming back to the Game Boy.

Musicians in the chiptune world often talk about the limitations of the console as one of the things that inspires them. For me, it’s probably the opposite: I am amazed at just how powerful these old handhelds can be, controlling all sorts of different gear. Primarily though, I just love composing on LSDJ.

The natural progression from drouth feels like it lies in an album that still has its roots firmly in the chipmusic world (composed entirely on a Game Boy – with the DMG sounds in the mix) – but with a deeper electronic influence, with the handheld sequencing other synthesisers to a greater degree.

Game Boy on Plane

I visited Montreal recently, and composed a track on the plane rather than watching the same old terrible TV re-runs that were available (another plus for the Game Boy there in its portability…). When I got back to Glasgow, I put it all together and recorded it. Have a listen below:

 

Mr. K

It’s been a while since I got pished on a Saturday night and just recorded some music. Well, I ended up recording after an hour of fighting with my mixer to work out why the stereo output was only producing mono…

There’s always the risk that it could have been my crappy soldering, which meant testing out every possible step. So many variables. Surprisingly, it wasn’t actually any of the Gameboys, but the mixer.

I’m pretty pleased with the result, and it should give a hint as to what the next album will sound like. Listen to and download it below:

To finish off, here’s a picture of my tidied up workspace.

Somewhere Over the Rainbow

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On Friday I spent some time in the studio working on different tracks. One of them was an experimental cover of ‘Somewhere Over the Rainbow’ with my sister and her boyfriend singing and playing guitar. They studied music at University, and it was nice to record with people who knew what they were doing.

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We used a bunch of different effects to layer the sound up, and I added in chip drums later on.

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You can hear and download the track below. It’s ‘Somewhere Over the Rainbow’ like you’ve never heard it before. In someone else’s words:

I could imagine it being played at a f**** up fun fare with porcelain dolls singing as they go round in a Ferris wheel.

Transforming a Gameboy

One of my work colleagues read about my Gameboy fiddling and kindly posted up one of his old grey DMGs that was destined for the charity shop to see if I could do anything with it. I decided to document its transition.

It was in the kind of standard condition for a used Greyboy of its age. The case was a bit roughed up and the LCD screen had vertical lines of dead pixels at either end. You can make them out below.


First things first was to see if I could fix that, as if the screen was dud, it would only really be worth spare parts. Luckily, it’s a pretty simple job, and before long the screen was as good as new.


With that, it was time to set about preparing the screen to put a backlight in. The old Gameboy screen was always a nightmare to see, so installing a new LED light source is a must. It’s also a tricky process, involving removing the foil back off of the screen itself. One wrong move and you can trash the whole thing. As it turned out, the adhesive on this particular Gameboy hadn’t corroded away, meaning it was a pretty smooth and simple process.


Then I put the Gameboy guts into a new case: transparent orange, which is a colour that was never available for the DMGs back in the day as far as I’m aware.


Next up, I installed a hex inverter chip to ‘bivert’ the screen. The new backlight polarising filter inverts the screen already, and so this step inverts it back to the regular display type, increasing the contrast in the process. It’s fiddly, but drastically improves the clarity. I’m pretty blind, so any picture improvement is a win.


It took a while as I didn’t realise that the backlight kit was missing a crucial resistor, and I had to go through each step to test it all again. A good lesson in not trying to do too many things at once.

Here’s the screen all lit up and biverted.


Next was installing a pitch oscillator that I had had lying about for ages. In other words, a small knob that changes the clock speed of the Gameboy to run faster or slower. What’s the point in that? For games it helps speed up boring parts that you can’t skip, but for music it lets you slow down or speed up things with the corresponding pitch change. Pretty damn cool.

The potentiometer fits into the space where the speaker sits, so it had to go.


I included a switch to turn the pitch oscillator on or off, which turned out to be a bit too big for the case…


I also wired up two RCA jacks for line level audio output. This wasn’t the ideal place to put them, but space was tight because of the other mods. I had begun to install a 3.5mm line out in the same position, but realised that the plastic seemed to be much thicker than in the other model I had done this on, and so the barrel was too short to fit through. RCA it is!


There was a lot of wires in there by this point. Just for fun, I decided to throw in some orange LED lights to give the case a nice glow. By the end of that, it was a bit tricky getting the case to go back together neatly.

At least I used appropriately coloured electrical tape…


So after a good few hours working on this beast, spread across a few days, here’s the finished result:


The case cutting and drilling leaves a lot to be desired, with rough edges obscured by the buttons and pots… But you can’t really notice. Despite that, I’m pretty pleased with the end result. Everything works, I learned a fair bit, and an old Gameboy has a new lease of life.