For over a year I’ve been working on a new album, plagued by writer’s block and lack of inspiration. However, the time has come where I can unleash it into the wild.
‘Inter alia’ is a ten track album under the cup fungus moniker which retains the darker electronica edge found in previous releases – without being quite as ‘bonkers and disturbing’. Overall, it feels a bit less frantic, and a bit more considered.
The album is available both digitally (on Bandcamp/Spotify/etc), and on cassette tape from my label Cow Tongue Taco Records. Downloads are free from there, but anybody who chooses to pay from will get an extra bonus track.
Today I released a six track, digital only, self-titled EP under the moniker ‘ease and desist’. It’s far more chilled out and heavily sample based than anything else I’ve done before, so probably fits into the ‘samplewave’ genre that I definitely didn’t just make up. You can have a listen/download over on Bandcamp.
Today I’m releasing my sixth full-length album as unexpected bowtie, a ten track LP named ‘liberal exodus’.
Composed entirely using a single DMG, I deliberately stuck closer to the LSDJ heart of the tracks than in previous releases – only adding extra instrumentation to complement the core sound. As a result, liberal exodus feels like a more straight-forward and mature electronic album than 2016’s TOKYO.
You can listen to/download the album over on Bandcamp. If you prefer to stream via Spotify, it should be appearing there within the next week or so.
There is also a very limited set of just five hand painted cassette tapes available via my Cow Tongue Taco Records label. At £2.50 more than the digital download, I think they’re a pretty decent deal, so head over there if you want to grab one before they are gone forever.
Over the past couple of months I’ve been acquiring different bits of gear in a sort of obsessive kleptomaniac fashion to build upon the basic foundations of chiptune, and explore the different things I can do with it. As part of that, I’ve gotten a bunch of cool (and definitely not cheap) hardware sequencers… but I find myself constantly coming back to the Game Boy.
Musicians in the chiptune world often talk about the limitations of the console as one of the things that inspires them. For me, it’s probably the opposite: I am amazed at just how powerful these old handhelds can be, controlling all sorts of different gear. Primarily though, I just love composing on LSDJ.
The natural progression from drouth feels like it lies in an album that still has its roots firmly in the chipmusic world (composed entirely on a Game Boy – with the DMG sounds in the mix) – but with a deeper electronic influence, with the handheld sequencing other synthesisers to a greater degree.
I visited Montreal recently, and composed a track on the plane rather than watching the same old terrible TV re-runs that were available (another plus for the Game Boy there in its portability…). When I got back to Glasgow, I put it all together and recorded it. Have a listen below: