Mr. K

It’s been a while since I got pished on a Saturday night and just recorded some music. Well, I ended up recording after an hour of fighting with my mixer to work out why the stereo output was only producing mono…

There’s always the risk that it could have been my crappy soldering, which meant testing out every possible step. So many variables. Surprisingly, it wasn’t actually any of the Gameboys, but the mixer.

I’m pretty pleased with the result, and it should give a hint as to what the next album will sound like. Listen to and download it below:

To finish off, here’s a picture of my tidied up workspace.

Hungover music making

On Saturday night a few of us headed out (full of rum) to belt out classic power ballads for a few hours. It was good times.

We didn’t feel all that great on Sunday though. Normally I’d just lie about and eat rubbish all day, which eh… I did anyway. But Lee aka radiomoths came round and we recorded the base of a new track with a bunch of different pedals, synths, and the C64. It’s all de-tuned and sounds a bit like the soundtrack of some robot death march from a film. Lee also took photos that I’ve stolen from his blog.

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After we were done, I ate some more rubbish food. Not too bad a way to get through a hangover.

 

New EP: ‘really something’

After the last few posts concentrating largely on gear and production stuff, it’s good to be able to follow up with one centred on music.

I had planned to wait until I had an album together before releasing anything, but it became clear that a number of the earlier tracks had a sound that naturally branched off in a group. As a result, my first release in 4 years will be a 5 track EP titled ‘really something’. I can’t quite believe it’s been that long, but there we go.

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The tracks themselves are all fairly laid back, and stripped back a lot from my previous sample-heavy chiptune releases. The only time the pulse really increases a shade is on ‘Down Street’, a track which previously only ever featured on the ‘Relycs‘ collaborative release that was put out on cassette, and dedicated to abandoned tube stations.

It feels like a nice transition. Listen out for my pal Haigie’s laugh on track 5.

The whole thing is up to stream/download for free over on bandcamp.

 

Tracklist:

  1. more is less
  2. out of milk
  3. gender neutral robot
  4. Down Street
  5. more is more

Bringing my Commodore 64 to life

Gameboys are great, but arguably the classic analogue chip sound belongs to the Commodore 64.

The C64 was my very first computer, one that my parents got me when I was only about 4 or 5. As a result, it holds a particularly special place in my heart. Sadly the actual one that I had from back then disappeared at some point, but I tracked down a replacement later on, complete with one of the coveted working 6518 sound chips (or ‘SIDs’).

For ages I’ve wanted to bring the C64 back to life and use it as a vintage analogue synth, but the space required to leave it set up was always prohibitive. In my foray back into music, I decided it was time to take the plunge.

I already had all the bits and pieces I needed, including a really sweet expansion device called the ‘MSSIAH‘ cartridge, which plugs into the back of the ‘breadbin’ and adds MIDI support. Making use of a composite video to HDMI convertor that I use for my N64, I hooked it up to a monitor, and hey presto…

My desk is a bit of a jumble just now with various things on the go, but that’s not where it’s going to live permanently.

For the technically curious, here I’m using a C64 DIN out to phono/composite cable, with the video end going into an AVI to HDMI box for the monitor, and the audio portion connected up to my headphones using a phono coupler and phono to mini jack cable. This is just the testing setup though. When I switch to actually recording with it, I’ll be using a VGA monitor and running the phonos straight to a mixing desk for output.

I’m going to use it in a couple of different ways: to play directly as a synth, but also as an external synth controlled by the Gameboy, using LSDJ as a sequencer (see my previous post on this…). Using a MIDI thru box, I could run different channels into different devices simultaneously, which would sound amazing.

There’s loads of things to explore with the C64, which is pretty exciting, and should keep things fresh. Here’s a couple:

C64 SD tape emulator – To save sounds and patterns and all that you need an external device to store them on. The C64 used to rely on either cassette tapes (!) or floppy disks… and not the kind that most people are familiar with, but large, 5 and 1/4″, truly floppy disks. As it turns out, I actually have both of these…

  
  
but they’re not the most practical – taking up a lot of space and being a pain to use. In the past few years some intrepid people have developed gadgets such as a C64 cassette tape hardware emulator – that plugs into the back and allows you to save onto SD card. They’re pretty smart, but relatively pricey, so I need to see how much I’m actually going to use the thing before I commit.

Second SID – You can install two sound chips in the C64 with a bit of modification so that it can play polyphonically, and make it really sing. This doesn’t look too difficult to do, and could be a fun project for later down the line. I’d be interested to see if I can run two different chips (with different sound qualities) simultaneously, but I’m not sure if it’s possible because of voltage etc. Needs further research.

Picture upscaling – the video output was never designed for modern monitors, and certainly not to be run over HDMI at 1920×1080. As a result, the picture looks terrible – and the controls are almost incomprehensible with my crappy eyesight. I’m sure there are ways to improve upon it, such as through the use of a decent upscaler, but it also needs a bit more exploration.

The most important thing though, is getting it working as a synth first and foremost. At the moment, the sounds sound pretty weak. I suspect that might be because I’m not running them through an amp – so I’ll check that out. I’ve ran the diagnostics and the chip is fine, so it’ll require a bit more investigation. Just a matter of getting time to sit down and play with it.

Boris Johnson

The Mayor of London is something of an anachronism, both charming and disturbing all at once.

The infamously bumbling Mayor of London has rugby tackled children, sought to deploy water cannons and then volunteered to be sprayed by one when their use was banned, and single handedly cleaned up the streets of the British capital with his brush the day after the riots.

Here is my 8-bit salute to him.

Staying up far too late and for far too long

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I’ve been staying up way too late this past week, trying to do as much actual music writing as I can. It’s way too easy to get distracted by all of the cool things you can do with and to Gameboys to get different sounds, and forget about the actual composition bit.

I’m working on a track at the moment which it turns out lasts about six minutes. That’s a ridiculous length of time, and is probably the longest song I’ve ever made. It’s about three times as long as the average track time on the last all-chip album I did. I’m firmly of the school of ‘keep it short so people don’t get bored’, but it seems too late to turn back now – and I kind of want to keep it purely because I’ve never written anything this length. I’ll just need to plow ahead, though it can’t be a coincidence that it’s proving much harder going to get it to a point where I’m happy with it than usual. For now though, I need to give my ears a break.

Rock! Neanderthal Remix

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In a previous life I was in a band called Closet Organ.

We had a song called ‘Rock! Neanderthal’.

A couple of years ago, Michael M from We Are the Physics remixed the track in a chip-tastic fashion, but for some reason the post about it disappeared.

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Re-uploading here as it’s great.

You can download the remix here.

 

The original is over on the Closet Organ Soundcloud here.

Setting up a dedicated music making space

Over the past couple of years I’ve hardly written or recorded any music. Part of this is because I’ve been so busy doing other things: moving flat, grappling with the UK immigration process, getting married, and travelling a lot. On top of that though, was the lack of any dedicated space where I could leave my recording gear set up, ready to be used whenever.

The time has come to do something about it, and I’ve reclaimed space in a corner alcove that previously was home to our washing and a couple of bikes.

Behold, the new studio:

I’ve set up the Kaoss pad, along with the mixer and Gameboys – all illuminated in some bright LED lights. It’s amazing what having a decent area set aside for making music can do to your motivation.

Unsurprisingly, I ran into a whole host of new issues when I went to record some tracks – both related, and in addition to the ones that I listed last year.

  • My M-Audio Firewire 410 has finally become properly obsolete. The workarounds that people have developed online simply aren’t working anymore. It’s frustrating as the hardware was still perfectly good – but since it was released over 10 years ago, it was probably a reasonable time to invest in a new interface. This time, I’ve gone for USB.
  • My Gameboy USB cartridges that house LSDJ are acting up. One of them has crashed and needs the ROM re-flashed (which is a pain in the ass on a Mac), and the other seems to get stuck on the second ROM that is loaded (Pokemon Gold!), rendering LSDJ inaccessible sporadically.
  • I’ve lost a couple of my Phono couplers, which I used for splitting the signal from the Gameboy so I could run it through the Kaoss pad as well as bypassing it. A stupid minor thing.
  • I no longer have a keyboard with a MIDI DIN connector, and all of the newer ones that have been released only have MIDI connectivity via USB. That’s all well and good, but not much use if you’re using a hacked together arduinoboy to play the Gameboy as a synth. I had to work out how to use my laptop as a MIDI thru device, which is thankfully up and working now.

It does make you stop and wonder why the hell you go to all this bother to use vintage hardware rather than sticking in some samples and being done with it, but there’s just something so satisfying about using the Gameboy that it’s all worth it in the end.

Maybe.

Everything is coming together nicely now though, and I’ve got some new gear to experiment with too: A Pocket Operator PO-14 (the Sub one), and probably an Ableton Launchpad. My plan is to dive into the MIDI side of things a bit deeper, as it’s something I’ve never really understood that well. Time to change that!

Hopefully this dedicated space will make a big difference. Watch this space.