Back in November, Lee came to stay with me for a week or so while he was looking for a new flat. We decided to make the most of the time by collaborating on a new side project.
In between making food, walking the dog, and working from home, we took turns writing and recording parts of what turned out to be a five track EP. Lee focussed on the drums, guitar, and bass, while I added the vocals and electronic parts. Both of us helped shape the structure and feel of the tracks, and Lee did some kind of production wizardry to make it all sound fantastic.
Gear wise we had a pretty simple setup, despite what the pictures below suggest. Lee had a basic audio interface for the instruments, I used a cheapy Behringer condenser mic for the vocals, and the synthy parts were almost all based on a single Eurorack voice (utilising a C64 SID chip). Listening back, it’s pretty crazy to think that the songs can sound so huge when they were literally all recorded between my kitchen and living room.
One of the coolest bits about the project for me was the collaborative part though. It’s easy to get stuck when you are working alone. Here though, whenever we hit a block, we would just pass what we had on to the other person. More often that not, they would hear the potential in what we thought sounded crap, which helped push the process along. A healthy way to produce, and truly collaborative rather than combative.
Here is the result:
Artwork by the fantastic Ghostvoices / Jake Brown.
You can download the EP for free over on the Cow Tongue Taco Records label page. It will be available to stream on Spotify etc from the end of the month, and there will also be a limited cassette tape version available too.
For over a year I’ve been working on a new album, plagued by writer’s block and lack of inspiration. However, the time has come where I can unleash it into the wild.
‘Inter alia’ is a ten track album under the cup fungus moniker which retains the darker electronica edge found in previous releases – without being quite as ‘bonkers and disturbing’. Overall, it feels a bit less frantic, and a bit more considered.
The album is available both digitally (on Bandcamp/Spotify/etc), and on cassette tape from my label Cow Tongue Taco Records. Downloads are free from there, but anybody who chooses to pay from will get an extra bonus track.
Artwork is by the fantastic Jake Brown aka Ghost Voices.
Previously a digital only release, I’ve decided to put together a very limited set on tape. They are pretty good for sticking on in the morning when you’re hungover. You can pick one up for £5 from Cow Tongue Taco Records, but be quick as they’re already running low.
Today I released a six track, digital only, self-titled EP under the moniker ‘ease and desist’. It’s far more chilled out and heavily sample based than anything else I’ve done before, so probably fits into the ‘samplewave’ genre that I definitely didn’t just make up. You can have a listen/download over on Bandcamp.
Artwork comes from the fantastic Jake Brown.
Today I’m releasing my sixth full-length album as unexpected bowtie, a ten track LP named ‘liberal exodus’.
Composed entirely using a single DMG, I deliberately stuck closer to the LSDJ heart of the tracks than in previous releases – only adding extra instrumentation to complement the core sound. As a result, liberal exodus feels like a more straight-forward and mature electronic album than 2016’s TOKYO.
You can listen to/download the album over on Bandcamp. If you prefer to stream via Spotify, it should be appearing there within the next week or so.
There is also a very limited set of just five hand painted cassette tapes available via my Cow Tongue Taco Records label. At £2.50 more than the digital download, I think they’re a pretty decent deal, so head over there if you want to grab one before they are gone forever.
Artwork by the wonderful Sanditio Bayu.
Today I am releasing a new album; the second under the ‘Cup Fungus’ moniker.
Here is the blurb:
‘Vaguely Nefarious’ is the second release from cup fungus, and continues to be ‘bonkers and disturbing’, with powerful synth-soaked electronica. An exploration through dark dreams and sinister places.
The music itself was written mostly with a collection of different hardware synths and effects. There is almost no Game Boy on this one… but there is a bunch of C64 on there if you listen closely.
The album is available right now to stream on Spotify, or to buy as a digital download via Bandcamp. For those of you who like something physical, there is also a very limited edition run of 15 cassette tapes on Cow Tongue Taco Records. Anybody that pays cold hard cash for the release will also get an additional four tracks as a ‘b side’ release through Bandcamp.
I’ve been hard at work putting together a new album. The next release (entitled ‘Vaguely Nefarious’) is set to come out in the next couple of months under the ‘cup fungus’ moniker.
As part of that, here’s a taster video for one of the tracks – ‘Monkey with a Gun’:
Last week, my friend Al came round for a couple of beers, and brought with him some of his beautiful synths: a Korg Arp Odyssey, and a Dave Smith OB-6.
We played about with them for a while, and then hooked our setups together for a wee jam.
The result came out pretty well, and we ended up recording a couple of tracks. The first – Ikebukuro – is below, filled with big swirling synthy sounds right out of the 80s.
Here’s a direct link for posterity, incase Soundcloud goes bust like they are threatening to.
I’ve gone from feeling fairly unproductive, to wrapping up a lot of different things all at once, which is nice.
The other night I decided to spend some time with the Monome grid controller, as I hadn’t quite gelled with it yet. It turned out pretty well, so I recorded a video:
I took the live recording and mastered it a bit, and have uploaded it to SoundCloud:
More to come.
January has been a bit less productive in terms of finished tracks than I had expected or would have liked, but I’ve still been doing a fair bit. I’ve re-organised and upgraded the studio so that I have far more simultaneous inputs for recording, and better access to my hardware effects, which is good. Just a matter of the final bit of cabling and it’ll be good to go.
Anyway, here’s a new track, that may or may not be on the next Cup Fungus album: