Do doo do do

After David Cameron announced that he was stepping aside to let that creature Theresa May into the position of completely unelected Prime Minister, he was caught ‘humming’ a wee ditty as he walked back into Number 10. Definitely a man who has checked out.

I quite liked the sound of it, so gave it a remix below:

See ya Davey. It’s been real.

(For another remix, check out this one from Graeme Coleman – complete with accompanying video)

Image ‘David Cameron delivers EU statement outside Downing Street‘ by Number 10 used under CC license.

Retrograde: New Adventures in Chiptune

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One of my tracks from the ‘really something’ EP, released in January of this year is featured on a new compilation from ‘I Thought You Were a Marxist Records’, named ‘Retrograde: New Adventures in Chiptune’.

The label has got a whole pile of artists that make some really interesting, weird experimental music, so I’m pretty pleased to be included in amongst them. Have a listen for free over on their Bandcamp, or below:

New Track: MTL

Over the past couple of months I’ve been acquiring different bits of gear in a sort of obsessive kleptomaniac fashion to build upon the basic foundations of chiptune, and explore the different things I can do with it. As part of that, I’ve gotten a bunch of cool (and definitely not cheap) hardware sequencers… but I find myself constantly coming back to the Game Boy.

Musicians in the chiptune world often talk about the limitations of the console as one of the things that inspires them. For me, it’s probably the opposite: I am amazed at just how powerful these old handhelds can be, controlling all sorts of different gear. Primarily though, I just love composing on LSDJ.

The natural progression from drouth feels like it lies in an album that still has its roots firmly in the chipmusic world (composed entirely on a Game Boy – with the DMG sounds in the mix) – but with a deeper electronic influence, with the handheld sequencing other synthesisers to a greater degree.

Game Boy on Plane

I visited Montreal recently, and composed a track on the plane rather than watching the same old terrible TV re-runs that were available (another plus for the Game Boy there in its portability…). When I got back to Glasgow, I put it all together and recorded it. Have a listen below:

 

Cow Tongue Taco Records

Banging on about ‘analogue’ is something that I always try and avoid. It seems pretty redundant, and too easily dismissed as hipster pish. Digital is great, but the thing is, the more I think about it, the more I end up drawn to the analogue world: film cameras, vinyl, old synths…

With that in mind, a while ago I decided to do a limited edition run of drouth on cassette. Despite all the memories of tapes getting fankled up and having to fix them with a ballpoint pen, there’s something pretty cool about them. They suit lofi music pretty well, have more personality than CD, and are far more accessible than vinyl financially.

As everything seems to end up doing lately, this minor project grew arms and legs, and has been pretty good fun to put together. I’ve set up my own tape-based label to put the release out on, named ‘Cow Tongue Taco Records’

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Thanks to Lee for the awesome logo.

For now the label will just be for releasing my own limited edition tape runs, but will eventually bring on some other artists who would be sympatico.

All the music that gets released on the tape label will be available at http://music.cowtonguetaco.com (Bandcamp), and the shop at http://cowtonguetaco.com.

If you happen to be in a band/make music yourself and would be interested in a limited edition cassette release, get in touch and we can see what we can come up with: stephen@cowtonguetaco.com

Alternative Volca MIDI Out Mod

Lately I’ve been experimenting with a different way of recording tracks, which is more ‘live’ than drouth was. It relies on having lots of different instruments going together at the same time, and so synching them up properly is pretty important.

I’d run into a problem lately where I didn’t have any way to synch up my Game Boy or other MIDI synth if they came at the end of the chain. The Korg Volcas have MIDI input, but not MIDI output, which is annoying. I knew there was a kit available to modify them to have MIDI output, but it was pretty expensive. After a bit of Googling, I realised that the mod wasn’t all that difficult to do at all, so I decided to have a bash.

Note: This isn’t meant to be a complete step-by-step tutorial on how to do the MIDI out mod. There are lots of sites out there that do a great job of explaining that. This is meant to explain an alternative method of implementing those. Links are in the post.

The best looking one involves adding in an additional DIN connector onto the top of the Volca, which you can find details on over here. I really didn’t fancy taking all of the knobs off and potentially screwing up my synth by drilling the hole wrong though, so hunted about for alternatives.

A few people had inserted a 3.5mm minijack port out, which can be used to transmit MIDI signals. In particular, there was one mod where you simply connected the MIDI out pads to the Volca’s existing minijack sync out port. That seemed like a great option, and I went ahead to do it:

After doing it, I discovered that this wasn’t really ideal. It may well have allowed you MIDI out, but it meant that the Korg sync out no longer worked. That wasn’t really ideal for what I was looking for. Back to the drawing board… I decided to add in an an additional minijack socket to transmit MIDI, and keep the rest of the Volca’s functionality intact. There was a decent tutorial on this here, and I had some experience of this kind of thing from all my Game Boy mods, so it seemed perfect.

Sadly… this too was not perfect. I had a minijack to DIN cable that supposedly transmitted MIDI, but it turned out that for this option to work you really needed to mock up a custom cable. I was too impatient for that, and given that I knew my track record of losing cables, being tied into a single cable for MIDI output seemed to be a bad idea. Hmm.

To check that the circuit actually worked first, I dug out a panel mount DIN socket and wired it up. It did, perfectly. That left me with the problem of where to put the damn thing. There is literally no space in the Volca series for an extra huge jack, unless you were prepared to drill the top plate… and like I mentioned earlier that wasn’t on the menu.

Taking inspiration from the first pioneering Game Boy modders, I decided to drill a small hole in the Volca’s case, wrap the wires in heatshrink tubing to bind them together, and then connect them up to a female DIN connector that would sit outside the Volca – minimising the need for case modification.

Here is what the wires looked like before being hot glued into place:

And here is the final product, with the Volcas happily dancing together via MIDI out:

So there you have it, an alternative to obtaining MIDI out from your Volca without having to resort to defacing the case too much. This is a stupidly easy mod to do electronically; it’s just the case modification that’s a bit of a pain.

For the technically curious, I used stranded wire for the individual connections (for flexibility), and got the female MIDI connector from eBay somewhere. My version could definitely have done with being tidied up a bit, but it does the job. I may do the same thing to the Volca Sample at some point, as it’s exactly the same – just with the solder points positioned slightly differently.

‘drouth’ up on Spotify

Just saw that the latest album drouth has been approved for Spotify, so those of you fiends who don’t like Bandcamp can stream it to your heart’s content. It makes no difference to me where you get it!

 

The really something EP was already on there, but the oldie habeas corpus was not. I gave them a prod, and that’s available now too. It’s worth noting that the Spotify version is slightly different to the actual album version, as their licensing requirements precluded me from including a couple of bits in the distribution… so if you want the full, unadulterated thing, find it on Bandcamp.

 

Magnificent Bastard – Smile, You Fuck Remix

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My pal Lee has a new band, called Magnificent Bastard. They’ve just put our their first single – ‘Smile, You Fuck’ to stream on Bandcamp and the like.

I convinced him to let me have a bash at destroying his hard work, and he stupidly agreed. So here it is, remixed:

All of the sounds are taken from the original recording, with the exception of the Game Boy – which definitely was not.

New Album: ‘drouth’ released today.

Today I’m releasing my first album since 2012, and the first one that’s mainly chiptune based since 2011: ‘drouth’.

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The album is entirely composed on LSDJ using a bunch of different modified Gameboys, which were then in turn to control different instruments like a Commodore 64, Volca Bass, etc that play additional parts to give a much deeper sound. Along with a smattering of guitar and vocals, it’s much more an experimental (sometimes ambient) electronic album than a chiptune focussed one.

Unlike previous occasions, I’ve spent a lot more time putting the pieces together for this, even re-mastering the entire thing a few days ago when I realised that the original left the Gameboy sounding a little bit too harsh.

You can download it in full, for whatever price you choose, over at bandcamp – or stream at the bottom of the page.

Tracklist is as follows:

  1. obsolete by design
  2. mex
  3. flight risk
  4. bottle neck
  5. lazarus pit
  6. hang the joker
  7. Mr. K
  8. slinging dinghies
  9. wealth sprouts wings
  10. dinghy it
  11. tip of the spear
  12. playing the fool
  13. dilettante
  14. Koba

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